Diffusion Handles is a novel approach to enabling 3D object edits on diffusion images. We accomplish these edits using existing pre-trained diffusion models, and 2D image depth estimation, without any fine-tuning or 3D object retrieval. The edited results remain plausible, photo-real, and preserve object identity. Diffusion Handles address a critically missing facet of generative image based creative design, and significantly advance the state-of-the-art in generative image editing. Our key insight is to lift diffusion activations for an object to 3D using a proxy depth, 3D-transform the depth and associated activations, and project them back to image space. The diffusion process applied to the manipulated activations with identity control, produces plausible edited images showing complex 3D occlusion and lighting effects. We evaluate Diffusion Handles: quantitatively, on a large synthetic data benchmark; and qualitatively by a user study, showing our output to be more plausible, and better than prior art at both, 3D editing and identity control. Project Webpage: //diffusionhandles.github.io/
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Our objective is audio-visual synchronization with a focus on 'in-the-wild' videos, such as those on YouTube, where synchronization cues can be sparse. Our contributions include a novel audio-visual synchronization model, and training that decouples feature extraction from synchronization modelling through multi-modal segment-level contrastive pre-training. This approach achieves state-of-the-art performance in both dense and sparse settings. We also extend synchronization model training to AudioSet a million-scale 'in-the-wild' dataset, investigate evidence attribution techniques for interpretability, and explore a new capability for synchronization models: audio-visual synchronizability.
We introduce Motion-I2V, a novel framework for consistent and controllable image-to-video generation (I2V). In contrast to previous methods that directly learn the complicated image-to-video mapping, Motion-I2V factorizes I2V into two stages with explicit motion modeling. For the first stage, we propose a diffusion-based motion field predictor, which focuses on deducing the trajectories of the reference image's pixels. For the second stage, we propose motion-augmented temporal attention to enhance the limited 1-D temporal attention in video latent diffusion models. This module can effectively propagate reference image's feature to synthesized frames with the guidance of predicted trajectories from the first stage. Compared with existing methods, Motion-I2V can generate more consistent videos even at the presence of large motion and viewpoint variation. By training a sparse trajectory ControlNet for the first stage, Motion-I2V can support users to precisely control motion trajectories and motion regions with sparse trajectory and region annotations. This offers more controllability of the I2V process than solely relying on textual instructions. Additionally, Motion-I2V's second stage naturally supports zero-shot video-to-video translation. Both qualitative and quantitative comparisons demonstrate the advantages of Motion-I2V over prior approaches in consistent and controllable image-to-video generation.
Linguistic Steganography (LS) tasks aim to generate steganographic texts (stego) based on secret information. Only authorized recipients can perceive the existence of secret information in the texts and accurately extract it, thereby preserving privacy. However, the controllability of the stego generated by existing schemes is poor, and the generated stego is difficult to contain specific discourse characteristics such as style, genre, and theme. As a result, the stego are often easily detectable, compromising covert communication. To address these problems, this paper proposes a novel scheme named LLsM, a generative LS based on a Large Language Model (LLM). We fine-tuned the LLM LLaMA2 with a large-scale constructed dataset encompassing rich discourse characteristics, which enables the fine-tuned LLM to generate texts with specific discourse in a controllable manner. Then the discourse characteristics are used as guiding information and inputted into the fine-tuned LLM in the form of Prompt together with secret information. The candidate pool, derived from sampling and truncation, undergoes range encoding to ensure the stego imitate natural text distribution. Experiments demonstrate that LLsM performs superior to prevalent baselines regarding text quality, statistical analysis, discourse matching, and anti-steganalysis. In particular, LLsM's MAUVE surpasses that of some baselines by 70%-80%, and its anti-steganalysis performance is 30%-40% higher. Notably, we also present the long stego generated by LLsM, showing its potential superiority in long LS tasks.
We propose the Medial Skeletal Diagram, a novel skeletal representation that tackles the prevailing issues around compactness and reconstruction accuracy in existing skeletal representations. Our approach augments the continuous elements in the medial axis representation to effectively shift the complexity away from discrete elements. To that end, we introduce generalized enveloping primitives, an enhancement of the standard primitives in medial axis, which ensures efficient coverage of intricate local features of the input shape and substantially reduces the number of discrete elements required. Moreover, we present a computational framework that constructs a medial skeletal diagram from an arbitrary closed manifold mesh. Our optimization pipeline ensures that the resulting medial skeletal diagram comprehensively covers the input shape with the fewest primitives. Additionally, each optimized primitive undergoes a post-refinement process to guarantee an accurate match with the source mesh in both geometry and tessellation. We validate our approach on a comprehensive benchmark of 100 shapes, demonstrating its compactness of the discrete elements and superior reconstruction accuracy across a variety of cases. Furthermore, we exemplify the versatility of our representation in downstream applications such as shape optimization, shape generation, mesh decomposition, mesh alignment, mesh compression, and user-interactive design.
Generative Artificial Intelligence (AI) tools are used to create art-like outputs and aid in the creative process. While these tools have potential benefits for artists, they also have the potential to harm the art workforce and infringe upon artistic and intellectual property rights. Without explicit consent from artists, Generative AI creators scrape artists' digital work to train Generative AI models and produce art-like model outputs at scale. These outputs are now being used to compete with human artists in the marketplace as well as being used by some artists in their generative processes to create art. We surveyed 459 artists to investigate the tension between artists' opinions on Generative AI art's potential utility and harm. This study surveys artists' opinions on the utility and threat of Generative AI art models, fair practices in the disclosure of artistic works in AI art training models, ownership and rights of AI art derivatives, and fair compensation. We find that artists, by and large, think that model creators should be required to disclose in detail what art and images they use to train their AI models. We also find that artists' opinions vary by professional status and practice, demographics, whether they have purchased art, and familiarity with and use of Generative AI. We hope the results of this work will further more meaningful collaboration and alignment between the art community and Generative AI researchers and developers.
Unsupervised learning of object-centric representations in dynamic visual scenes is challenging. Unlike most previous approaches that learn to decompose 2D images, we present DynaVol, a 3D scene generative model that unifies geometric structures and object-centric learning in a differentiable volume rendering framework. The key idea is to perform object-centric voxelization to capture the 3D nature of the scene, which infers the probability distribution over objects at individual spatial locations. These voxel features evolve over time through a canonical-space deformation function, forming the basis for global representation learning via slot attention. The voxel features and global features are complementary and are both leveraged by a compositional NeRF decoder for volume rendering. DynaVol remarkably outperforms existing approaches for unsupervised dynamic scene decomposition. Once trained, the explicitly meaningful voxel features enable additional capabilities that 2D scene decomposition methods cannot achieve: it is possible to freely edit the geometric shapes or manipulate the motion trajectories of the objects.
We introduce a novel large-scale scene reconstruction benchmark using the newly developed 3D representation approach, Gaussian Splatting, on our expansive U-Scene dataset. U-Scene encompasses over one and a half square kilometres, featuring a comprehensive RGB dataset coupled with LiDAR ground truth. For data acquisition, we employed the Matrix 300 drone equipped with the high-accuracy Zenmuse L1 LiDAR, enabling precise rooftop data collection. This dataset, offers a unique blend of urban and academic environments for advanced spatial analysis convers more than 1.5 km$^2$. Our evaluation of U-Scene with Gaussian Splatting includes a detailed analysis across various novel viewpoints. We also juxtapose these results with those derived from our accurate point cloud dataset, highlighting significant differences that underscore the importance of combine multi-modal information
Image generation using generative AI is rapidly becoming a major new source of visual media, with billions of AI generated images created using diffusion models such as Stable Diffusion and Midjourney over the last few years. In this paper we collect and analyse over 3 million prompts and the images they generate. Using natural language processing, topic analysis and visualisation methods we aim to understand collectively how people are using text prompts, the impact of these systems on artists, and more broadly on the visual cultures they promote. Our study shows that prompting focuses largely on surface aesthetics, reinforcing cultural norms, popular conventional representations and imagery. We also find that many users focus on popular topics (such as making colouring books, fantasy art, or Christmas cards), suggesting that the dominant use for the systems analysed is recreational rather than artistic.
Video captioning is a challenging task that requires a deep understanding of visual scenes. State-of-the-art methods generate captions using either scene-level or object-level information but without explicitly modeling object interactions. Thus, they often fail to make visually grounded predictions, and are sensitive to spurious correlations. In this paper, we propose a novel spatio-temporal graph model for video captioning that exploits object interactions in space and time. Our model builds interpretable links and is able to provide explicit visual grounding. To avoid unstable performance caused by the variable number of objects, we further propose an object-aware knowledge distillation mechanism, in which local object information is used to regularize global scene features. We demonstrate the efficacy of our approach through extensive experiments on two benchmarks, showing our approach yields competitive performance with interpretable predictions.
Visual Question Answering (VQA) models have struggled with counting objects in natural images so far. We identify a fundamental problem due to soft attention in these models as a cause. To circumvent this problem, we propose a neural network component that allows robust counting from object proposals. Experiments on a toy task show the effectiveness of this component and we obtain state-of-the-art accuracy on the number category of the VQA v2 dataset without negatively affecting other categories, even outperforming ensemble models with our single model. On a difficult balanced pair metric, the component gives a substantial improvement in counting over a strong baseline by 6.6%.
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