亚洲男人的天堂2018av,欧美草比,久久久久久免费视频精选,国色天香在线看免费,久久久久亚洲av成人片仓井空

Given an input video of a person and a new garment, the objective of this paper is to synthesize a new video where the person is wearing the specified garment while maintaining spatiotemporal consistency. Although significant advances have been made in image-based virtual try-on, extending these successes to video often leads to frame-to-frame inconsistencies. Some approaches have attempted to address this by increasing the overlap of frames across multiple video chunks, but this comes at a steep computational cost due to the repeated processing of the same frames, especially for long video sequences. To tackle these challenges, we reconceptualize video virtual try-on as a conditional video inpainting task, with garments serving as input conditions. Specifically, our approach enhances image diffusion models by incorporating temporal attention layers to improve temporal coherence. To reduce computational overhead, we propose ShiftCaching, a novel technique that maintains temporal consistency while minimizing redundant computations. Furthermore, we introduce the TikTokDress dataset, a new video try-on dataset featuring more complex backgrounds, challenging movements, and higher resolution compared to existing public datasets. Extensive experiments demonstrate that our approach outperforms current baselines, particularly in terms of video consistency and inference speed. The project page is available at //swift-try.github.io/.

Motion generation from discrete quantization offers many advantages over continuous regression, but at the cost of inevitable approximation errors. Previous methods usually quantize the entire body pose into one code, which not only faces the difficulty in encoding all joints within one vector but also loses the spatial relationship between different joints. Differently, in this work we quantize each individual joint into one vector, which i) simplifies the quantization process as the complexity associated with a single joint is markedly lower than that of the entire pose; ii) maintains a spatial-temporal structure that preserves both the spatial relationships among joints and the temporal movement patterns; iii) yields a 2D token map, which enables the application of various 2D operations widely used in 2D images. Grounded in the 2D motion quantization, we build a spatial-temporal modeling framework, where 2D joint VQVAE, temporal-spatial 2D masking technique, and spatial-temporal 2D attention are proposed to take advantage of spatial-temporal signals among the 2D tokens. Extensive experiments demonstrate that our method significantly outperforms previous methods across different datasets, with a 26.6% decrease of FID on HumanML3D and a 29.9% decrease on KIT-ML. Project page: //aigc3d.github.io/mogents.

Synthesizing diverse dexterous grasps from uncertain partial observation is an important yet challenging task for physically intelligent embodiments. Previous works on generative grasp synthesis fell short of precisely capturing the complex grasp distribution and reasoning about shape uncertainty in the unstructured and often partially perceived reality. In this work, we introduce a novel model that can generate diverse grasps for a multi-fingered hand while introspectively handling perceptual uncertainty and recognizing unknown object geometry to avoid performance degradation. Specifically, we devise a Deep Latent Variable Model (DLVM) based on Normalizing Flows (NFs), facilitating hierarchical and expressive latent representation for modeling versatile grasps. Our model design counteracts typical pitfalls of its popular alternative in generative grasping, i.e., conditional Variational Autoencoders (cVAEs) whose performance is limited by mode collapse and miss-specified prior issues. Moreover, the resultant feature hierarchy and the exact flow likelihood computation endow our model with shape-aware introspective capabilities, enabling it to quantify the shape uncertainty of partial point clouds and detect objects of novel geometry. We further achieve performance gain by fusing this information with a discriminative grasp evaluator, facilitating a novel hybrid way for grasp evaluation. Comprehensive simulated and real-world experiments show that the proposed idea gains superior performance and higher run-time efficiency against strong baselines, including diffusion models. We also demonstrate substantial benefits of greater diversity for grasping objects in clutter and a confined workspace in the real world.

Quantitative requirements play an important role in the context of multi-agent systems, where there is often a trade-off between the tasks of individual agents and the constraints that the agents must jointly adhere to. We study multi-agent systems whose requirements are formally specified in the quantitative temporal logic LTL[$\mathcal{F}$] as a combination of local task specifications for the individual agents and a shared safety constraint, The intricate dependencies between the individual agents entailed by their local and shared objectives make the design of multi-agent systems error-prone, and their verification time-consuming. In this paper we address this problem by proposing a novel notion of quantitative assume-guarantee contracts, that enables the compositional design and verification of multi-agent systems with quantitative temporal specifications. The crux of these contracts lies in their ability to capture the coordination between the individual agents to achieve an optimal value of the overall specification under any possible behavior of the external environment. We show that the proposed framework improves the scalability and modularity of formal verification of multi-agent systems against quantitative temporal specifications.

With rapid advances in generative artificial intelligence, the text-to-music synthesis task has emerged as a promising direction for music generation. Nevertheless, achieving precise control over multi-track generation remains an open challenge. While existing models excel in directly generating multi-track mix, their limitations become evident when it comes to composing individual tracks and integrating them in a controllable manner. This departure from the typical workflows of professional composers hinders the ability to refine details in specific tracks. To address this gap, we propose JEN-1 Composer, a unified framework designed to efficiently model marginal, conditional, and joint distributions over multi-track music using a single model. Building upon an audio latent diffusion model, JEN-1 Composer extends the versatility of multi-track music generation. We introduce a progressive curriculum training strategy, which gradually escalates the difficulty of training tasks while ensuring the model's generalization ability and facilitating smooth transitions between different scenarios. During inference, users can iteratively generate and select music tracks, thus incrementally composing entire musical pieces in accordance with the Human-AI co-composition workflow. Our approach demonstrates state-of-the-art performance in controllable and high-fidelity multi-track music synthesis, marking a significant advancement in interactive AI-assisted music creation. Our demo pages are available at www.jenmusic.ai/research.

3D Gaussian Splatting (3DGS) has shown great potential for efficient reconstruction and high-fidelity real-time rendering of complex scenes on consumer hardware. However, due to its rasterization-based formulation, 3DGS is constrained to ideal pinhole cameras and lacks support for secondary lighting effects. Recent methods address these limitations by tracing volumetric particles instead, however, this comes at the cost of significantly slower rendering speeds. In this work, we propose 3D Gaussian Unscented Transform (3DGUT), replacing the EWA splatting formulation in 3DGS with the Unscented Transform that approximates the particles through sigma points, which can be projected exactly under any nonlinear projection function. This modification enables trivial support of distorted cameras with time dependent effects such as rolling shutter, while retaining the efficiency of rasterization. Additionally, we align our rendering formulation with that of tracing-based methods, enabling secondary ray tracing required to represent phenomena such as reflections and refraction within the same 3D representation.

Spectroscopic photoacoustic (sPA) imaging uses multiple wavelengths to differentiate chromophores based on their unique optical absorption spectra. This technique has been widely applied in areas such as vascular mapping, tumor detection, and therapeutic monitoring. However, sPA imaging is highly susceptible to noise, leading to poor signal-to-noise ratio (SNR) and compromised image quality. Traditional denoising techniques like frame averaging, though effective in improving SNR, can be impractical for dynamic imaging scenarios due to reduced frame rates. Advanced methods, including learning-based approaches and analytical algorithms, have demonstrated promise but often require extensive training data and parameter tuning, limiting their adaptability for real-time clinical use. In this work, we propose a sPA denoising using a tuning-free analytical and data-free enhancement (SPADE) framework for denoising sPA images. This framework integrates a data-free learning-based method with an efficient BM3D-based analytical approach while preserves spectral linearity, providing noise reduction and ensuring that functional information is maintained. The SPADE framework was validated through simulation, phantom, ex vivo, and in vivo experiments. Results demonstrated that SPADE improved SNR and preserved spectral information, outperforming conventional methods, especially in challenging imaging conditions. SPADE presents a promising solution for enhancing sPA imaging quality in clinical applications where noise reduction and spectral preservation are critical.

Collaborative Perception (CP) has shown a promising technique for autonomous driving, where multiple connected and autonomous vehicles (CAVs) share their perception information to enhance the overall perception performance and expand the perception range. However, in CP, ego CAV needs to receive messages from its collaborators, which makes it easy to be attacked by malicious agents. For example, a malicious agent can send harmful information to the ego CAV to mislead it. To address this critical issue, we propose a novel method, \textbf{CP-Guard}, a tailored defense mechanism for CP that can be deployed by each agent to accurately detect and eliminate malicious agents in its collaboration network. Our key idea is to enable CP to reach a consensus rather than a conflict against the ego CAV's perception results. Based on this idea, we first develop a probability-agnostic sample consensus (PASAC) method to effectively sample a subset of the collaborators and verify the consensus without prior probabilities of malicious agents. Furthermore, we define a collaborative consistency loss (CCLoss) to capture the discrepancy between the ego CAV and its collaborators, which is used as a verification criterion for consensus. Finally, we conduct extensive experiments in collaborative bird's eye view (BEV) tasks and our results demonstrate the effectiveness of our CP-Guard.

Optimization is crucial for MEC networks to function efficiently and reliably, most of which are NP-hard and lack efficient approximation algorithms. This leads to a paucity of optimal solution, constraining the effectiveness of conventional deep learning approaches. Most existing learning-based methods necessitate extensive optimal data and fail to exploit the potential benefits of suboptimal data that can be obtained with greater efficiency and effectiveness. Taking the multi-server multi-user computation offloading (MSCO) problem, which is widely observed in systems like Internet-of-Vehicles (IoV) and Unmanned Aerial Vehicle (UAV) networks, as a concrete scenario, we present a Graph Diffusion-based Solution Generation (GDSG) method. This approach is designed to work with suboptimal datasets while converging to the optimal solution large probably. We transform the optimization issue into distribution-learning and offer a clear explanation of learning from suboptimal training datasets. We build GDSG as a multi-task diffusion model utilizing a Graph Neural Network (GNN) to acquire the distribution of high-quality solutions. We use a simple and efficient heuristic approach to obtain a sufficient amount of training data composed entirely of suboptimal solutions. In our implementation, we enhance the backbone GNN and achieve improved generalization. GDSG also reaches nearly 100\% task orthogonality, ensuring no interference between the discrete and continuous generation tasks. We further reveal that this orthogonality arises from the diffusion-related training loss, rather than the neural network architecture itself. The experiments demonstrate that GDSG surpasses other benchmark methods on both the optimal and suboptimal training datasets. The MSCO datasets has open-sourced at //ieee-dataport.org/13824, as well as the GDSG algorithm codes at //github.com/qiyu3816/GDSG.

The field of text-to-audio generation has seen significant advancements, and yet the ability to finely control the acoustic characteristics of generated audio remains under-explored. In this paper, we introduce a novel yet simple approach to generate sound effects with control over key acoustic parameters such as loudness, pitch, reverb, fade, brightness, noise and duration, enabling creative applications in sound design and content creation. These parameters extend beyond traditional Digital Signal Processing (DSP) techniques, incorporating learned representations that capture the subtleties of how sound characteristics can be shaped in context, enabling a richer and more nuanced control over the generated audio. Our approach is model-agnostic and is based on learning the disentanglement between audio semantics and its acoustic features. Our approach not only enhances the versatility and expressiveness of text-to-audio generation but also opens new avenues for creative audio production and sound design. Our objective and subjective evaluation results demonstrate the effectiveness of our approach in producing high-quality, customizable audio outputs that align closely with user specifications.