Autoregressive models based on Transformers have become the prevailing approach for generating music compositions that exhibit comprehensive musical structure. These models are typically trained by minimizing the negative log-likelihood (NLL) of the observed sequence in an autoregressive manner. However, when generating long sequences, the quality of samples from these models tends to significantly deteriorate due to exposure bias. To address this issue, we leverage classifiers trained to differentiate between real and sampled sequences to identify these failures. This observation motivates our exploration of adversarial losses as a complement to the NLL objective. We employ a pre-trained Span-BERT model as the discriminator in the Generative Adversarial Network (GAN) framework, which enhances training stability in our experiments. To optimize discrete sequences within the GAN framework, we utilize the Gumbel-Softmax trick to obtain a differentiable approximation of the sampling process. Additionally, we partition the sequences into smaller chunks to ensure that memory constraints are met. Through human evaluations and the introduction of a novel discriminative metric, we demonstrate that our approach outperforms a baseline model trained solely on likelihood maximization.
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ACM/IEEE第23屆模型驅動工程語言和系統國際會議，是模型驅動軟件和系統工程的首要會議系列，由ACM-SIGSOFT和IEEE-TCSE支持組織。自1998年以來，模型涵蓋了建模的各個方面，從語言和方法到工具和應用程序。模特的參加者來自不同的背景，包括研究人員、學者、工程師和工業專業人士。MODELS 2019是一個論壇，參與者可以圍繞建模和模型驅動的軟件和系統交流前沿研究成果和創新實踐經驗。今年的版本將為建模社區提供進一步推進建模基礎的機會，并在網絡物理系統、嵌入式系統、社會技術系統、云計算、大數據、機器學習、安全、開源等新興領域提出建模的創新應用以及可持續性。
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Generative AI models for music and the arts in general are increasingly complex and hard to understand. The field of eXplainable AI (XAI) seeks to make complex and opaque AI models such as neural networks more understandable to people. One approach to making generative AI models more understandable is to impose a small number of semantically meaningful attributes on generative AI models. This paper contributes a systematic examination of the impact that different combinations of Variational Auto-Encoder models (MeasureVAE and AdversarialVAE), configurations of latent space in the AI model (from 4 to 256 latent dimensions), and training datasets (Irish folk, Turkish folk, Classical, and pop) have on music generation performance when 2 or 4 meaningful musical attributes are imposed on the generative model. To date there have been no systematic comparisons of such models at this level of combinatorial detail. Our findings show that MeasureVAE has better reconstruction performance than AdversarialVAE which has better musical attribute independence. Results demonstrate that MeasureVAE was able to generate music across music genres with interpretable musical dimensions of control, and performs best with low complexity music such a pop and rock. We recommend that a 32 or 64 latent dimensional space is optimal for 4 regularised dimensions when using MeasureVAE to generate music across genres. Our results are the first detailed comparisons of configurations of state-of-the-art generative AI models for music and can be used to help select and configure AI models, musical features, and datasets for more understandable generation of music.
We show that computing the strongest polynomial invariant for single-path loops with polynomial assignments is at least as hard as the Skolem problem, a famous problem whose decidability has been open for almost a century. While the strongest polynomial invariants are computable for affine loops, for polynomial loops the problem remained wide open. As an intermediate result of independent interest, we prove that reachability for discrete polynomial dynamical systems is Skolem-hard as well. Furthermore, we generalize the notion of invariant ideals and introduce moment invariant ideals for probabilistic programs. With this tool, we further show that the strongest polynomial moment invariant is (i) uncomputable, for probabilistic loops with branching statements, and (ii) Skolem-hard to compute for polynomial probabilistic loops without branching statements. Finally, we identify a class of probabilistic loops for which the strongest polynomial moment invariant is computable and provide an algorithm for it.
Generating the motion of orchestral conductors from a given piece of symphony music is a challenging task since it requires a model to learn semantic music features and capture the underlying distribution of real conducting motion. Prior works have applied Generative Adversarial Networks (GAN) to this task, but the promising diffusion model, which recently showed its advantages in terms of both training stability and output quality, has not been exploited in this context. This paper presents Diffusion-Conductor, a novel DDIM-based approach for music-driven conducting motion generation, which integrates the diffusion model to a two-stage learning framework. We further propose a random masking strategy to improve the feature robustness, and use a pair of geometric loss functions to impose additional regularizations and increase motion diversity. We also design several novel metrics, including Frechet Gesture Distance (FGD) and Beat Consistency Score (BC) for a more comprehensive evaluation of the generated motion. Experimental results demonstrate the advantages of our model.
Text-to-music generation models are now capable of generating high-quality music audio in broad styles. However, text control is primarily suitable for the manipulation of global musical attributes like genre, mood, and tempo, and is less suitable for precise control over time-varying attributes such as the positions of beats in time or the changing dynamics of the music. We propose Music ControlNet, a diffusion-based music generation model that offers multiple precise, time-varying controls over generated audio. To imbue text-to-music models with time-varying control, we propose an approach analogous to pixel-wise control of the image-domain ControlNet method. Specifically, we extract controls from training audio yielding paired data, and fine-tune a diffusion-based conditional generative model over audio spectrograms given melody, dynamics, and rhythm controls. While the image-domain Uni-ControlNet method already allows generation with any subset of controls, we devise a new strategy to allow creators to input controls that are only partially specified in time. We evaluate both on controls extracted from audio and controls we expect creators to provide, demonstrating that we can generate realistic music that corresponds to control inputs in both settings. While few comparable music generation models exist, we benchmark against MusicGen, a recent model that accepts text and melody input, and show that our model generates music that is 49% more faithful to input melodies despite having 35x fewer parameters, training on 11x less data, and enabling two additional forms of time-varying control. Sound examples can be found at //MusicControlNet.github.io/web/.
Cooperative perception, which has a broader perception field than single-vehicle perception, has played an increasingly important role in autonomous driving to conduct 3D object detection. Through vehicle-to-vehicle (V2V) communication technology, various connected automated vehicles (CAVs) can share their sensory information (LiDAR point clouds) for cooperative perception. We employ an importance map to extract significant semantic information and propose a novel cooperative perception semantic communication scheme with intermediate fusion. Meanwhile, our proposed architecture can be extended to the challenging time-varying multipath fading channel. To alleviate the distortion caused by the time-varying multipath fading, we adopt explicit orthogonal frequency-division multiplexing (OFDM) blocks combined with channel estimation and channel equalization. Simulation results demonstrate that our proposed model outperforms the traditional separate source-channel coding over various channel models. Moreover, a robustness study indicates that only part of semantic information is key to cooperative perception. Although our proposed model has only been trained over one specific channel, it has the ability to learn robust coded representations of semantic information that remain resilient to various channel models, demonstrating its generality and robustness.
As a driving force in the advancement of intelligent in-orbit applications, DNN models have been gradually integrated into satellites, producing daily latency-constraint and computation-intensive tasks. However, the substantial computation capability of DNN models, coupled with the instability of the satellite-ground link, pose significant challenges, hindering timely completion of tasks. It becomes necessary to adapt to task stream changes when dealing with tasks requiring latency guarantees, such as dynamic observation tasks on the satellites. To this end, we consider a system model for a collaborative inference system with latency constraints, leveraging the multi-exit and model partition technology. To address this, we propose an algorithm, which is tailored to effectively address the trade-off between task completion and maintaining satisfactory task accuracy by dynamically choosing early-exit and partition points. Simulation evaluations show that our proposed algorithm significantly outperforms baseline algorithms across the task stream with strict latency constraints.
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We unify Ryser's and Glynn's formulas for computing the permanent into a single framework. We then show via an orbital bound argument that the product rank of the permanent is asymptotically upper bounded by $ \frac{\exp\left(\pi\sqrt{\frac{2n}{3}}\right)}{4\sqrt{3}n} $.
Graph Neural Networks (GNNs) are state-of-the-art models for performing prediction tasks on graphs. While existing GNNs have shown great performance on various tasks related to graphs, little attention has been paid to the scenario where out-of-distribution (OOD) nodes exist in the graph during training and inference. Borrowing the concept from CV and NLP, we define OOD nodes as nodes with labels unseen from the training set. Since a lot of networks are automatically constructed by programs, real-world graphs are often noisy and may contain nodes from unknown distributions. In this work, we define the problem of graph learning with out-of-distribution nodes. Specifically, we aim to accomplish two tasks: 1) detect nodes which do not belong to the known distribution and 2) classify the remaining nodes to be one of the known classes. We demonstrate that the connection patterns in graphs are informative for outlier detection, and propose Out-of-Distribution Graph Attention Network (OODGAT), a novel GNN model which explicitly models the interaction between different kinds of nodes and separate inliers from outliers during feature propagation. Extensive experiments show that OODGAT outperforms existing outlier detection methods by a large margin, while being better or comparable in terms of in-distribution classification.
Generative models are now capable of producing highly realistic images that look nearly indistinguishable from the data on which they are trained. This raises the question: if we have good enough generative models, do we still need datasets? We investigate this question in the setting of learning general-purpose visual representations from a black-box generative model rather than directly from data. Given an off-the-shelf image generator without any access to its training data, we train representations from the samples output by this generator. We compare several representation learning methods that can be applied to this setting, using the latent space of the generator to generate multiple "views" of the same semantic content. We show that for contrastive methods, this multiview data can naturally be used to identify positive pairs (nearby in latent space) and negative pairs (far apart in latent space). We find that the resulting representations rival those learned directly from real data, but that good performance requires care in the sampling strategy applied and the training method. Generative models can be viewed as a compressed and organized copy of a dataset, and we envision a future where more and more "model zoos" proliferate while datasets become increasingly unwieldy, missing, or private. This paper suggests several techniques for dealing with visual representation learning in such a future. Code is released on our project page: //ali-design.github.io/GenRep/
Video captioning is a challenging task that requires a deep understanding of visual scenes. State-of-the-art methods generate captions using either scene-level or object-level information but without explicitly modeling object interactions. Thus, they often fail to make visually grounded predictions, and are sensitive to spurious correlations. In this paper, we propose a novel spatio-temporal graph model for video captioning that exploits object interactions in space and time. Our model builds interpretable links and is able to provide explicit visual grounding. To avoid unstable performance caused by the variable number of objects, we further propose an object-aware knowledge distillation mechanism, in which local object information is used to regularize global scene features. We demonstrate the efficacy of our approach through extensive experiments on two benchmarks, showing our approach yields competitive performance with interpretable predictions.
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