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Ultrasound (US) imaging is better suited for intraoperative settings because it is real-time and more portable than other imaging techniques, such as mammography. However, US images are characterized by lower spatial resolution noise-like artifacts. This research aims to address these limitations by providing surgeons with mammogram-like image quality in real-time from noisy US images. Unlike previous approaches for improving US image quality that aim to reduce artifacts by treating them as (speckle noise), we recognize their value as informative wave interference pattern (WIP). To achieve this, we utilize the Stride software to numerically solve the forward model, generating ultrasound images from mammograms images by solving wave-equations. Additionally, we leverage the power of domain adaptation to enhance the realism of the simulated ultrasound images. Then, we utilize generative adversarial networks (GANs) to tackle the inverse problem of generating mammogram-quality images from ultrasound images. The resultant images have considerably more discernible details than the original US images.

One critical challenge in 6D object pose estimation from a single RGBD image is efficient integration of two different modalities, i.e., color and depth. In this work, we tackle this problem by a novel Deep Fusion Transformer~(DFTr) block that can aggregate cross-modality features for improving pose estimation. Unlike existing fusion methods, the proposed DFTr can better model cross-modality semantic correlation by leveraging their semantic similarity, such that globally enhanced features from different modalities can be better integrated for improved information extraction. Moreover, to further improve robustness and efficiency, we introduce a novel weighted vector-wise voting algorithm that employs a non-iterative global optimization strategy for precise 3D keypoint localization while achieving near real-time inference. Extensive experiments show the effectiveness and strong generalization capability of our proposed 3D keypoint voting algorithm. Results on four widely used benchmarks also demonstrate that our method outperforms the state-of-the-art methods by large margins.

Although audio-visual representation has been proved to be applicable in many downstream tasks, the representation of dancing videos, which is more specific and always accompanied by music with complex auditory contents, remains challenging and uninvestigated. Considering the intrinsic alignment between the cadent movement of dancer and music rhythm, we introduce MuDaR, a novel Music-Dance Representation learning framework to perform the synchronization of music and dance rhythms both in explicit and implicit ways. Specifically, we derive the dance rhythms based on visual appearance and motion cues inspired by the music rhythm analysis. Then the visual rhythms are temporally aligned with the music counterparts, which are extracted by the amplitude of sound intensity. Meanwhile, we exploit the implicit coherence of rhythms implied in audio and visual streams by contrastive learning. The model learns the joint embedding by predicting the temporal consistency between audio-visual pairs. The music-dance representation, together with the capability of detecting audio and visual rhythms, can further be applied to three downstream tasks: (a) dance classification, (b) music-dance retrieval, and (c) music-dance retargeting. Extensive experiments demonstrate that our proposed framework outperforms other self-supervised methods by a large margin.

Audio-visual segmentation (AVS) is a complex task that involves accurately segmenting the corresponding sounding object based on audio-visual queries. Successful audio-visual learning requires two essential components: 1) an unbiased dataset with high-quality pixel-level multi-class labels, and 2) a model capable of effectively linking audio information with its corresponding visual object. However, these two requirements are only partially addressed by current methods, with training sets containing biased audio-visual data, and models that generalise poorly beyond this biased training set. In this work, we propose a new strategy to build cost-effective and relatively unbiased audio-visual semantic segmentation benchmarks. Our strategy, called Visual Post-production (VPO), explores the observation that it is not necessary to have explicit audio-visual pairs extracted from single video sources to build such benchmarks. We also refine the previously proposed AVSBench to transform it into the audio-visual semantic segmentation benchmark AVSBench-Single+. Furthermore, this paper introduces a new pixel-wise audio-visual contrastive learning method to enable a better generalisation of the model beyond the training set. We verify the validity of the VPO strategy by showing that state-of-the-art (SOTA) models trained with datasets built by matching audio and visual data from different sources or with datasets containing audio and visual data from the same video source produce almost the same accuracy. Then, using the proposed VPO benchmarks and AVSBench-Single+, we show that our method produces more accurate audio-visual semantic segmentation than SOTA models. Code and dataset will be available.

Self-supervised sound source localization is usually challenged by the modality inconsistency. In recent studies, contrastive learning based strategies have shown promising to establish such a consistent correspondence between audio and sound sources in visual scenarios. Unfortunately, the insufficient attention to the heterogeneity influence in the different modality features still limits this scheme to be further improved, which also becomes the motivation of our work. In this study, an Induction Network is proposed to bridge the modality gap more effectively. By decoupling the gradients of visual and audio modalities, the discriminative visual representations of sound sources can be learned with the designed Induction Vector in a bootstrap manner, which also enables the audio modality to be aligned with the visual modality consistently. In addition to a visual weighted contrastive loss, an adaptive threshold selection strategy is introduced to enhance the robustness of the Induction Network. Substantial experiments conducted on SoundNet-Flickr and VGG-Sound Source datasets have demonstrated a superior performance compared to other state-of-the-art works in different challenging scenarios. The code is available at //github.com/Tahy1/AVIN

Most existing image-text matching methods adopt triplet loss as the optimization objective, and choosing a proper negative sample for the triplet of <anchor, positive, negative> is important for effectively training the model, e.g., hard negatives make the model learn efficiently and effectively. However, we observe that existing methods mainly employ the most similar samples as hard negatives, which may not be true negatives. In other words, the samples with high similarity but not paired with the anchor may reserve positive semantic associations, and we call them false negatives. Repelling these false negatives in triplet loss would mislead the semantic representation learning and result in inferior retrieval performance. In this paper, we propose a novel False Negative Elimination (FNE) strategy to select negatives via sampling, which could alleviate the problem introduced by false negatives. Specifically, we first construct the distributions of positive and negative samples separately via their similarities with the anchor, based on the features extracted from image and text encoders. Then we calculate the false negative probability of a given sample based on its similarity with the anchor and the above distributions via the Bayes' rule, which is employed as the sampling weight during negative sampling process. Since there may not exist any false negative in a small batch size, we design a memory module with momentum to retain a large negative buffer and implement our negative sampling strategy spanning over the buffer. In addition, to make the model focus on hard negatives, we reassign the sampling weights for the simple negatives with a cut-down strategy. The extensive experiments are conducted on Flickr30K and MS-COCO, and the results demonstrate the superiority of our proposed false negative elimination strategy. The code is available at //github.com/LuminosityX/FNE.

The under-display camera (UDC) provides consumers with a full-screen visual experience without any obstruction due to notches or punched holes. However, the semi-transparent nature of the display inevitably introduces the severe degradation into UDC images. In this work, we address the UDC image restoration problem with the specific consideration of the scattering effect caused by the display. We explicitly model the scattering effect by treating the display as a piece of homogeneous scattering medium. With the physical model of the scattering effect, we improve the image formation pipeline for the image synthesis to construct a realistic UDC dataset with ground truths. To suppress the scattering effect for the eventual UDC image recovery, a two-branch restoration network is designed. More specifically, the scattering branch leverages global modeling capabilities of the channel-wise self-attention to estimate parameters of the scattering effect from degraded images. While the image branch exploits the local representation advantage of CNN to recover clear scenes, implicitly guided by the scattering branch. Extensive experiments are conducted on both real-world and synthesized data, demonstrating the superiority of the proposed method over the state-of-the-art UDC restoration techniques. The source code and dataset are available at \url{//github.com/NamecantbeNULL/SRUDC}.

Recent interactive segmentation methods iteratively take source image, user guidance and previously predicted mask as the input without considering the invariant nature of the source image. As a result, extracting features from the source image is repeated in each interaction, resulting in substantial computational redundancy. In this work, we propose the Feature Decoupling-Recycling Network (FDRN), which decouples the modeling components based on their intrinsic discrepancies and then recycles components for each user interaction. Thus, the efficiency of the whole interactive process can be significantly improved. To be specific, we apply the Decoupling-Recycling strategy from three perspectives to address three types of discrepancies, respectively. First, our model decouples the learning of source image semantics from the encoding of user guidance to process two types of input domains separately. Second, FDRN decouples high-level and low-level features from stratified semantic representations to enhance feature learning. Third, during the encoding of user guidance, current user guidance is decoupled from historical guidance to highlight the effect of current user guidance. We conduct extensive experiments on 6 datasets from different domains and modalities, which demonstrate the following merits of our model: 1) superior efficiency than other methods, particularly advantageous in challenging scenarios requiring long-term interactions (up to 4.25x faster), while achieving favorable segmentation performance; 2) strong applicability to various methods serving as a universal enhancement technique; 3) well cross-task generalizability, e.g., to medical image segmentation, and robustness against misleading user guidance.

The multi-level aggregation (MLA) module has emerged as a critical component for advancing new-era vision back-bones in semantic segmentation. In this paper, we propose Lawin (large window) Transformer, a novel MLA architecture that creatively utilizes multi-scale feature maps from the vision backbone. At the core of Lawin Transformer is the Lawin attention, a newly designed window attention mechanism capable of querying much larger context windows than local windows. We focus on studying the efficient and simplistic application of the large-window paradigm, allowing for flexible regulation of the ratio of large context to query and capturing multi-scale representations. We validate the effectiveness of Lawin Transformer on Cityscapes and ADE20K, consistently demonstrating great superiority to widely-used MLA modules when combined with new-era vision backbones. The code is available at //github.com/yan-hao-tian/lawin.

Video captioning is a challenging task that requires a deep understanding of visual scenes. State-of-the-art methods generate captions using either scene-level or object-level information but without explicitly modeling object interactions. Thus, they often fail to make visually grounded predictions, and are sensitive to spurious correlations. In this paper, we propose a novel spatio-temporal graph model for video captioning that exploits object interactions in space and time. Our model builds interpretable links and is able to provide explicit visual grounding. To avoid unstable performance caused by the variable number of objects, we further propose an object-aware knowledge distillation mechanism, in which local object information is used to regularize global scene features. We demonstrate the efficacy of our approach through extensive experiments on two benchmarks, showing our approach yields competitive performance with interpretable predictions.