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In the fields of statistics and unsupervised machine learning a fundamental and well-studied problem is anomaly detection. Although anomalies are difficult to define, many algorithms have been proposed. Underlying the approaches is the nebulous understanding that anomalies are rare, unusual or inconsistent with the majority of data. The present work gives a philosophical approach to clearly define anomalies and to develop an algorithm for their efficient detection with minimal user intervention. Inspired by the Gestalt School of Psychology and the Helmholtz principle of human perception, the idea is to assume anomalies are observations that are unexpected to occur with respect to certain groupings made by the majority of the data. Thus, under appropriate random variable modelling anomalies are directly found in a set of data under a uniform and independent random assumption of the distribution of constituent elements of the observations; anomalies correspond to those observations where the expectation of occurrence of the elements in a given view is $<1$. Starting from fundamental principles of human perception an unsupervised anomaly detection algorithm is developed that is simple, real-time and parameter-free. Experiments suggest it as the prime choice for univariate data and it shows promising performance on the detection of global anomalies in multivariate data.

With the significant advancements made in generation of forged video and audio, commonly known as deepfakes, using deep learning technologies, the problem of its misuse is a well-known issue now. Recently, a new problem of generating cloned or synthesized human voice of a person is emerging. AI-based deep learning models can synthesize any person's voice requiring just a few seconds of audio. With the emerging threat of impersonation attacks using deepfake videos and audios, new deepfake detectors are need that focuses on both, video and audio. Detecting deepfakes is a challenging task and researchers have made numerous attempts and proposed several deepfake detection methods. To develop a good deepfake detector, a handsome amount of good quality dataset is needed that captures the real world scenarios. Many researchers have contributed in this cause and provided several deepfake dataset, self generated and in-the-wild. However, almost all of these datasets either contains deepfake videos or audio. Moreover, the recent deepfake datasets proposed by researchers have racial bias issues. Hence, there is a crucial need of a good deepfake video and audio deepfake dataset. To fill this gap, we propose a novel Audio-Video Deepfake dataset (FakeAVCeleb) that not only contains deepfake videos but respective synthesized cloned audios as well. We generated our dataset using recent most popular deepfake generation methods and the videos and audios are perfectly lip-synced with each other. To generate a more realistic dataset, we selected real YouTube videos of celebrities having four racial backgrounds (Caucasian, Black, East Asian and South Asian) to counter the racial bias issue. Lastly, we propose a novel multimodal detection method that detects deepfake videos and audios based on our multimodal Audio-Video deepfake dataset.

We evaluate the effectiveness of semi-supervised learning (SSL) on a realistic benchmark where data exhibits considerable class imbalance and contains images from novel classes. Our benchmark consists of two fine-grained classification datasets obtained by sampling classes from the Aves and Fungi taxonomy. We find that recently proposed SSL methods provide significant benefits, and can effectively use out-of-class data to improve performance when deep networks are trained from scratch. Yet their performance pales in comparison to a transfer learning baseline, an alternative approach for learning from a few examples. Furthermore, in the transfer setting, while existing SSL methods provide improvements, the presence of out-of-class is often detrimental. In this setting, standard fine-tuning followed by distillation-based self-training is the most robust. Our work suggests that semi-supervised learning with experts on realistic datasets may require different strategies than those currently prevalent in the literature.

This paper defines a new visual reasoning paradigm by introducing an important factor, i.e., transformation. The motivation comes from the fact that most existing visual reasoning tasks, such as CLEVR in VQA, are solely defined to test how well the machine understands the concepts and relations within static settings, like one image. We argue that this kind of state driven visual reasoning approach has limitations in reflecting whether the machine has the ability to infer the dynamics between different states, which has been shown as important as state-level reasoning for human cognition in Piaget's theory. To tackle this problem, we propose a novel transformation driven visual reasoning task. Given both the initial and final states, the target is to infer the corresponding single-step or multi-step transformation, represented as a triplet (object, attribute, value) or a sequence of triplets, respectively. Following this definition, a new dataset namely TRANCE is constructed on the basis of CLEVR, including three levels of settings, i.e., Basic (single-step transformation), Event (multi-step transformation), and View (multi-step transformation with variant views). Experimental results show that the state-of-the-art visual reasoning models perform well on Basic, but are still far from human-level intelligence on Event and View. We believe the proposed new paradigm will boost the development of machine visual reasoning. More advanced methods and real data need to be investigated in this direction. Code is available at: //github.com/hughplay/TVR.

Deep learning has been successfully applied to solve various complex problems ranging from big data analytics to computer vision and human-level control. Deep learning advances however have also been employed to create software that can cause threats to privacy, democracy and national security. One of those deep learning-powered applications recently emerged is "deepfake". Deepfake algorithms can create fake images and videos that humans cannot distinguish them from authentic ones. The proposal of technologies that can automatically detect and assess the integrity of digital visual media is therefore indispensable. This paper presents a survey of algorithms used to create deepfakes and, more importantly, methods proposed to detect deepfakes in the literature to date. We present extensive discussions on challenges, research trends and directions related to deepfake technologies. By reviewing the background of deepfakes and state-of-the-art deepfake detection methods, this study provides a comprehensive overview of deepfake techniques and facilitates the development of new and more robust methods to deal with the increasingly challenging deepfakes.

It is becoming increasingly easy to automatically replace a face of one person in a video with the face of another person by using a pre-trained generative adversarial network (GAN). Recent public scandals, e.g., the faces of celebrities being swapped onto pornographic videos, call for automated ways to detect these Deepfake videos. To help developing such methods, in this paper, we present the first publicly available set of Deepfake videos generated from videos of VidTIMIT database. We used open source software based on GANs to create the Deepfakes, and we emphasize that training and blending parameters can significantly impact the quality of the resulted videos. To demonstrate this impact, we generated videos with low and high visual quality (320 videos each) using differently tuned parameter sets. We showed that the state of the art face recognition systems based on VGG and Facenet neural networks are vulnerable to Deepfake videos, with 85.62% and 95.00% false acceptance rates respectively, which means methods for detecting Deepfake videos are necessary. By considering several baseline approaches, we found that audio-visual approach based on lip-sync inconsistency detection was not able to distinguish Deepfake videos. The best performing method, which is based on visual quality metrics and is often used in presentation attack detection domain, resulted in 8.97% equal error rate on high quality Deepfakes. Our experiments demonstrate that GAN-generated Deepfake videos are challenging for both face recognition systems and existing detection methods, and the further development of face swapping technology will make it even more so.

Realistic music generation is a challenging task. When building generative models of music that are learnt from data, typically high-level representations such as scores or MIDI are used that abstract away the idiosyncrasies of a particular performance. But these nuances are very important for our perception of musicality and realism, so in this work we embark on modelling music in the raw audio domain. It has been shown that autoregressive models excel at generating raw audio waveforms of speech, but when applied to music, we find them biased towards capturing local signal structure at the expense of modelling long-range correlations. This is problematic because music exhibits structure at many different timescales. In this work, we explore autoregressive discrete autoencoders (ADAs) as a means to enable autoregressive models to capture long-range correlations in waveforms. We find that they allow us to unconditionally generate piano music directly in the raw audio domain, which shows stylistic consistency across tens of seconds.

The task of face attribute manipulation has found increasing applications, but still remains challeng- ing with the requirement of editing the attributes of a face image while preserving its unique details. In this paper, we choose to combine the Variational AutoEncoder (VAE) and Generative Adversarial Network (GAN) for photorealistic image genera- tion. We propose an effective method to modify a modest amount of pixels in the feature maps of an encoder, changing the attribute strength contin- uously without hindering global information. Our training objectives of VAE and GAN are reinforced by the supervision of face recognition loss and cy- cle consistency loss for faithful preservation of face details. Moreover, we generate facial masks to en- force background consistency, which allows our training to focus on manipulating the foreground face rather than background. Experimental results demonstrate our method, called Mask-Adversarial AutoEncoder (M-AAE), can generate high-quality images with changing attributes and outperforms prior methods in detail preservation.

Collecting training data from the physical world is usually time-consuming and even dangerous for fragile robots, and thus, recent advances in robot learning advocate the use of simulators as the training platform. Unfortunately, the reality gap between synthetic and real visual data prohibits direct migration of the models trained in virtual worlds to the real world. This paper proposes a modular architecture for tackling the virtual-to-real problem. The proposed architecture separates the learning model into a perception module and a control policy module, and uses semantic image segmentation as the meta representation for relating these two modules. The perception module translates the perceived RGB image to semantic image segmentation. The control policy module is implemented as a deep reinforcement learning agent, which performs actions based on the translated image segmentation. Our architecture is evaluated in an obstacle avoidance task and a target following task. Experimental results show that our architecture significantly outperforms all of the baseline methods in both virtual and real environments, and demonstrates a faster learning curve than them. We also present a detailed analysis for a variety of variant configurations, and validate the transferability of our modular architecture.

While it is nearly effortless for humans to quickly assess the perceptual similarity between two images, the underlying processes are thought to be quite complex. Despite this, the most widely used perceptual metrics today, such as PSNR and SSIM, are simple, shallow functions, and fail to account for many nuances of human perception. Recently, the deep learning community has found that features of the VGG network trained on the ImageNet classification task has been remarkably useful as a training loss for image synthesis. But how perceptual are these so-called "perceptual losses"? What elements are critical for their success? To answer these questions, we introduce a new Full Reference Image Quality Assessment (FR-IQA) dataset of perceptual human judgments, orders of magnitude larger than previous datasets. We systematically evaluate deep features across different architectures and tasks and compare them with classic metrics. We find that deep features outperform all previous metrics by huge margins. More surprisingly, this result is not restricted to ImageNet-trained VGG features, but holds across different deep architectures and levels of supervision (supervised, self-supervised, or even unsupervised). Our results suggest that perceptual similarity is an emergent property shared across deep visual representations.